Reflections on Greatness
Posted by Bruce Robbins | Jun 14, 2024
Edward W. Said: An Unpublished Letter to the NY Ti...
Posted by Wouter Capitain | May 29, 2024
AI: A view from the corporate trenches
Posted by Ira Schild | Apr 5, 2024
On the Concept of Corrosive Irony with Continual R...
Posted by Matt Sandler | Feb 11, 2024
Breakup Poems
LatestPresentation Copy
by Max Cavitch | Jan 23, 2024 | Breakup Poems
Hey, before you leave, I was wondering if you’d sign this copy of your book. It’s the one I...
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What I Can’t Do
by Jamey Hecht | Feb 7, 2021 | Breakup Poems
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Nothing Sadder Than Cold Grits
by Natalie Frazier | Dec 16, 2020 | Breakup Poems
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a horticultural goodbye
by Inge Lütt | Dec 1, 2020 | Breakup Poems
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What It’s Like
by Ben Libman | Nov 27, 2020 | Breakup Poems, Poem
Latest Features
Presentation Copy
by Max Cavitch | Jan 23, 2024 | Breakup Poems
Hey, before you leave, I was wondering if you’d sign this copy of your book. It’s the one I...
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My Dive
by Bruce Robbins | Nov 18, 2022 | First Person
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The Girl Who Made It Snow in Singapore
by Masturah Alatas | Aug 12, 2022 | Features, Fiction
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Who Is My Neighbor?
by Melvin Brinkley | Jun 9, 2021 | Commentary, First Person
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Opt Out
by Bruce Robbins | May 26, 2021 | Announcements
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Water Wars Part 2
by Bruce Robbins | Mar 25, 2021 | Podcasts, Waterways
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Water Wars: a Podcast with Tom Kruse
by Bruce Robbins | Mar 24, 2021 | Podcasts, Waterways
Reviews and Commentary
Coming of Race in the Classroom
by Stone Mims | Feb 4, 2025 | Commentary
You start out in 1954 by saying, “Nigger, nigger, nigger.” By 1968 you can’t say “nigger”—that...
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Reflections on Greatness
by Bruce Robbins | Jun 14, 2024 | Commentary
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Edward W. Said: An Unpublished Letter to the NY Times, 1967
by Wouter Capitain | May 29, 2024 | Commentary
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AI: A view from the corporate trenches
by Ira Schild | Apr 5, 2024 | Commentary
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The AI Alibi
by Nikita Shepard | Mar 30, 2024 | Commentary
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Anatomizing the Fall
by Bonnie Honig | Dec 30, 2023 | Commentary
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What's New

Coming of Race in the Classroom

I’ve Got a Little List

From the River to the Sea

ANTHEM OF DEMOCRATIC ECSTASY

Reflections on Greatness

Edward W. Said: An Unpublished Letter to...

MODEST ADVICE FOR UNIVERSITY ADMINISTRAT...

AI: A view from the corporate trenches

The AI Alibi

On the Concept of Corrosive Irony with C...

Presentation Copy

Anatomizing the Fall

The Radio DJ is a Storyteller: Sonic Rep...

Return

The Hard Hat Riot of May 1970: A Slice o...

Melissa Broder in Death Valley

Something or Nothing at All

“Love Is Blind” Beyond the E...

Julius Nyerere Translates “Julius ...

To Be Real! “Barbie” as a ...

THE MAR-A-LAGO AIR

What Genre is “Succession”?

News from the Staten Island Ferry

Trump’s “Town Hall” A Counternarrative...

On “BreadTube:” Can YouTube Video Essays...

Three Ukraine War Poems

Please Answer Now

The Good Samaritan

McCarthys Rule!

Darwin 348

That Day

My Dive

Despite Everything

In Solidarity with Urooj Rahman and Coli...

APOLOGIA PRO VITA SUA

BATTLE HYMN OF THE REPUBLICANS

POLITICS FOR A JOYCEAN CENTENNIAL

The Girl Who Made It Snow in Singapore

TRIUMPH OF THE FOSSILS

Ian Watt Memorizes “The Divine Com...

Paul Celan and Ukraine

Clouds Over the Cone

Road Umbrage

Tombstone to Tutti Frutti: Where’s Your ...

Throw a Tampon at Your Dad: “The W...

Lauren Greenfield: Between Critique and ...

Maid in America: Whiteness as Property

Drones

east berlin, in retrospect

A Christmas Prayer

Trump’s Chumps

Epigraphy

To Nicole, my Cat

Why Were We in Afghanistan? (Don’t Demon...

After Post-Colonialism and Globalization...

Stanley Aronowitz and Cultural Studies

Stuart Hall and Marxism

SYRIZA in Power: Precepts of Governing a...

Who Is My Neighbor?

Congratulations

Disordered Attachments: On Literary Crit...

Opt Out

The Messenger from Heaven

Water, the driving force of Nature, and ...

Promising Young Country (warning: spoile...

After

Fire Weather

Trust Me: A Visit from Bob Woodward

Deaths of Documentary

Life on the Delaware; or, Comings and Go...

New Day for Podemos?

Water Wars Part 2

Water Wars: a Podcast with Tom Kruse

Think from the Viewpoint of Water

Why a UBI?

Consciousness

Walks on the Boundary Line (Waterways)

Tunnel (Waterways)

River (Waterways)

Where You Still Need a Dashboard Radio

Old Veteran Cypress (Waterways)

The River Owns Itself (Waterways)

La Veille de Noël

Sensible Woman Speaks

What I Can’t Do

A Thin Dark String

NOAM CHOMSKY SAYS, FIGHT FOR THE REVOLUT...

Ending with O

Hook-Up Poems: An Invitation to Poets

Hegel, Recognition, and “Grievance...

The 60’s as Founding: On David Bro...

Weimar Moment?

The Time It Will Take: Building Left Soc...

Put Your Yard Signs Out Again

Under Conditions Not of Our Choosing

Exhaustion

Nothing Sadder Than Cold Grits

Ain’t Called Jacobin for Nothin...

a horticultural goodbye

This Prisoner

What It’s Like

Two Poems from Breakup Canyon

Gallery

Driving By

Vicious

police story: a fragment

divorce done right

Trending Whiteness: Countrypop Aesthetic...

A Self-Described Geezer Reflects on Cons...

Exquisite Corpse

Tuwei cyber culture in China: the rural ...

Waiting for John Kelly?

Have You Ever Loved a Black Man?

The Autumn of Our Discontent

News from St. Louis

Aesthetics in the Discipline of Literary...

RUSSIAN BOUNTY

Dispatch from the NYC Protests

George Floyd’s Funeral Train

Social Democracy in One Country? Spain’s...

The Talking Dead: Jia Tolentino and the ...

America Apologizes

Plague Diary, May 3

STAYING ALIVE IN PUERTO RICO

In Gratitude

If Coffee Shop Could Open

Quarantine Etymology

A HITHERTO UNKNOWN DRAFT OF The Waste La...

Spitballing in a Pandemic

Plague Diaries, April 11

The Locked Down Watching the Locked Up

Escape from New Jersey

Plague Chronicle, continued

Plague Cartoons, continued

Miraculous Discovery

Donald Trump, Wartime President

Pages from a COVID Diary

Taking the Last Flight Out in Times of L...

In the streets a serenade

Keeping Ourselves Honest, Treating Frien...

What Was Decolonization? A Review of Ado...

Staying Beside; Moving Sideways: Hans De...

The Ocean Doesn’t Care

Who Would You Be?

Breathing Room: Dingell v Trump

Telling “the widest story”: A Review of ...

Killing Times: Theory and the Abolition ...

Woodstock, Altamont, and the Sixties

POETIC RESISTANCES

NO DANCING IN THE STREETS: Spain’s...

Traveling Underpants: On May Hawas’...

Capitalist Realism, Ten Years On

OPEN BORDERS?

Afro-Pessimism and the (Un)Logic of Anti...

Explaining Evangelicals’ Support for Tru...

“Unbelievable”– Scenes...

GOING AFTER THEORY

Funny Careers: “A Star Is BornR...

Something Darker than Farce: the Spanish...

Jeffrey Epstein and the Death Rattle of ...

HORROR AND DIAGNOSIS: ON ARI ASTER

ARE WE BEING CLASSY YET?

MUELLER, THEY WROTE

After Wounded Knee

Why Pay Attention to the So-Called Scien...

“Another Story in The Overstory: One of ...

Thackeray Meets Dark Matter:The Making o...

Parking Lot in the Memorial Forest by Di...

Why is this Night Different? The Problem...

“The Birds, and the Stars, and the...

Witches Who Work: Female Patriarchal Car...

Trump’s Triangle

Theatre Feast and Theatre Famine: On ...

Winternet is Coming

The Real Problem the SNC Lavalin Affair ...

The Zionist Problem: Divided Loyalties i...

Bob Mould — Sunshine Rock

A New Story by Harry Whomersley

John Hay on Bob Dylan: Untangling the Tr...

Film Review: If Beale Street Could Talk

Film Review: Vice

Interesting Times

Border Walls and Alien Homelands: Reflec...

Entering Sadr City on Report of Troops i...

On Atonement

Hatred Blanks and Rusty Blinks by Adrien...

Steve Mason — About the Light

On Writing Good Sentences

Eduardo Pavez Looks Askance at “Ro...

David Brooks, Meet Josiah Royce, Part I

Ben Streeter Sees the Neoliberalism in H...

Film Review: Roma

Smells Like Teen Spirit

The Dogs — Before Brutality

Electoral Architecture

Red Rum Club — Matador

How Fascism Works: A Reply To Peter Ludl...

Criticism and Theory: 22 Theses

My Neighbors

Film Review: The Old Man and the Gun

Louis CK is Still a Jackass

Film Review: The Ballad of Buster Scrugg...
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It’s [Not] a Wonderful Life: How C...

Eugene to Berkeley and The Last Bus on t...

Film Review: Mary, Queen of Scots

The Date Rape Song

Film Review: The Favourite

Mermaids Want Shoes

The Median, Triggered, and First Day by ...

The Barn and Backseat by Larry D. Thacke...

Film Review: The Wife

Makaya McCraven — Universal Beings

St. Mawr

American Pogrom

Night Drive by Brian Barnett

Film Review: Colette

Jews and Whiteness

Film Review: The Sisters Brothers

Three Poems by Alyssa Harmon

Lost and Found by Yi-Wen Huang

The Good Fight

Lynn White’s Roundabout and ItR...

Renovating the House (and Senate…)

The Peelers: Cúnla

Alphabet of the Tracks by Charles Bernst...

Fun World, View From Above, A Dissipatin...

Return of “Car Poems” &...

The Victory of the Village Voice

When the Predator is a Lady

The Germans Come Back to Psari

No Substitute for Professional Boundarie...

Art of #MeToo: Cara Cole’s “...

The Kant Thing: McCann’s Answer

Palestine and “Progressive” Politics

Fortuna in Finland

Giacometti at the Guggenheim

Form and Class: a response to Sean McCan...

Car Poems for Robert Kroetsch – Pa...

“So you love her hair…”...

Car Poems for Robert Kroetsch – Pa...

Car Poems for Robert Kroetsch – Pa...

Car Poems for Robert Kroetsch – Pa...

Car Poems for Robert Kroetsch – Pa...

Black Thought : Streams of Thought, Vol....

The Return of The The

Wend and Calque by Lea Graham

Merci Beaucoup and Thank You

Wooden Shjips — V.

Doug Ford: Ontario’s Populist

Ray Lamontagne — Part of the Light

Dr. Peterson’s Patent Snake Oil: N...

On Burning by Sharon Dornberg-Lee

Confessions of a Race Traitor

Literary Academia: Simon During Reflects...

Literary Academia: Simon During Reflects...

Matthew Barlow wins prestigious book pri...

The Passion of Philip Roth

Glendette by Brent Raycroft

Sestina On Doing One Hundred And Forty O...

Venetian Snares/Daniel Lanois: Venetian ...

Czarface & MF DOOM: Czarface Meets ...

Custom Car Parade by Laura Winton

Speedy Ortiz: Twerp Verse

A Place to Bury Strangers: Pinned (Brain...

Jean Grae/Quelle Chris: Everything’...

Reports from the Picket Line: A Rousing ...

Reports from the Picket Line: Widespread...

Reports from the Picket Line: Columbia G...

City Sketches: East Coast/West Coast

Beware the Beast by James Livingston

Reports from the Picket Line: Columbia G...

Trumpism at Columbia

First Person: An Oklahoma Teacher Speaks...

Red Rambler by Joel Long

Julian Calendar: Parallel Collage

From the Picket Line: A Kentucky Teacher...

Teacher Protests Spread To Kentucky

The Breeders: All Nerve

Julian Calendar: Not Your Standard Rock&...

Towards a Politics of Stupidity

Rock’n’Roll Don’t Pay ...

Meteorite from Saturn and Blind Spot by ...

“Entirely Consensual”? Storm...

From the Vaults: The Singles Soundtrack

A Hitchhiker’s Guide to Border Crossings...

Ride: Tomorrow’s Shores

The Day After Parkland: A Student Reflec...

The Young Karl Marx

Camp Cope: How to Socialize & Make ...

The Trouble with Money

The Sheepdogs: Changing Colours

Fake Architecture News?

Covering Bauhaus

Thinking About Corporate Activism

Narrating Hayden White

Eric Bolander: The Wind

Sunns: Felt

Eric Bolander: The Troubadour of Lexingt...

A Guide to the Many Flags Visible in Bar...

DEFEAT DEVICES by Drew Milne

Superchunk: What a Time to be Alive

“The Concept of Enlightenment” as Parano...

Unconcealed Weapons: A Modest Proposal

Three Poems by Marilyn Cavicchia

Sponging the City

Creative Writing and Toxic Masculinity: ...

“This is Not Normal:” Two Decades After ...

We Need to Talk: Racism and Canadian ...

From the Vaults: Manic Street Preachers:...

Evangelicals and Jerusalem

Franz Ferdinand: Always Ascending

The Red Car by David Cull

Cadence Weapon: Cadence Weapon

The Camp as Archive

Fuck Football

Tune-Yards: I can feel you creep into my...

The History of the Gerrymander

Jewish Tourism, or, I never cared very m...

Jewish Tourism, or, I never cared very m...

Life in Dallas by Helen Gutowski

The Halifax Explosions?

Black Rebel Motorcycle Club: Wrong Creat...

Jewish Tourism, or, I never cared very m...

Jewish Tourism, or, I never cared very m...

The (Sort of) End of Chief Wahoo

Glen Hansard: Between Two Shores

Jewish Tourism, or, I never cared very m...

Notes from a Recent Construction Site Vi...

Framing Poems by Sacha Archer

Meat Beat Manifesto: Impossible Star

Patriarchy’s Latest Trick: Whose I...

The Problems with Football and Hockey

On Translation

Israel cannot cure itself

DeSoto Love by Kim Goldberg

My Cars by Charles Bernstein

A Tale of Too Many Cities: The Trial of ...

Company, and the journey by Susan Rudy

In the Idiom: All Cars & Trucks (de...

Scott Frank’s “Godless”

DRIVING by Bird Williams

The Legend of George Orwell

Trumped Up Violence

Auerbach and Me

The Importance of the “Steady Stat...

A place for unfinished things and Forty-...

Nothing Says Cluelessness Quite Like Jok...

What is Trumpism?

Car Poems: A Collective Vehicle

Noel Gallagher’s High Flying Birds...

Reluctant Heroes

Belonging on the Left: An Appreciation o...

Belonging on the Left: An Appreciation o...

Art Bergmann: Remember Her Name

The Moral Conundrum of Roy Moore

Black Sabbath: The End (Live)

Henri Cartier-Bresson: India in Full Fra...

Robert Plant: Carry Fire

Listen to Veterans: the Student, Citizen...

Resurrecting Les Négresses Vertes

Leonard Cohen’s Church of Montreal

Michael Head & The Red Elastic Band...

An Incomplete History of Protest at the ...

Quebec Shows its Colors

Wolf Parade: Cry, Cry, Cry

Tin Star: Revenge, Renunciation and Desi...

Whose “Free Speech?” A Ruckus at C...

J. Roddy Walston & The Business: De...

Days of Future Past in Blade Runner 2049

Tied to the Mast

It’s the Chinese, Stupid! … and Other My...

Quebec’s Bill 62 and the Age of Un...

Staging the Civil War

Black Grape: Pop Voodoo

Bateson in Yellowstone

On Photography and Filtering

Stars: There Is No Love in Fluorescent L...

First Person: For the Love of a Challeng...

What Happened, a Review

We are Live!

Yes Spike Lee, I’d Like My Money Back

The Vietnam War: Ken Burns’ ‘...

Disappearing Act: Empúries Visitor Recep...
