“Worlds Collide,” Acts III-IV
Here are the concluding acts of “Worlds Collide,” my play about the hesitant, contradictory, hysterical articulation of Christianity in the 4th-5th centuries A.D. I hope my principal inspirations are evident: Erich Auerbach, Denis de Rougemont, Mircea Eliade, Norman O. Brown. G.W.F. Hegel the seminarian, as always, Alasdair MacIntyre the historicist philosopher who wrote Marxism and Christianity when he was all of 22, and of course Will James, the guy who wrote The Varieties of Religious Experience as a preface to radical empiricism, hence pragmatism. As an old-school Marxist, I was never much bothered by invidious comparisons between it and religious fervor or faith, because their eschatological purposes, the redemption and perhaps even the end of suffering, were at least similar. You can read vol. 1 of Capital as a gloss on the Reformation. Max Weber certainly did. That’s why he wrote The Protestant Ethic and the Spirit of Capitalism. You Shakespereans will recognize my borrowings from Act III, Scene 7 of King Lear. Here we go. ACT III [Lights come up, same scene, but now Marcellinu sstirs. Augustineis standing, looking out the window, arms folded. Jeromeis reading from the book (Augustine’s “Confessions”) he found on the table in Act II, amidst the bottles of wine and the platters of food. Pelagius watches impassively as the SERVANTS converge, cleaning, wiping, bowing, scraping.] MA [waking, he raises...
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