Moratorium

Posted by James Clifford | Jun 8, 2020 | First Person, Photo Essay | 0

Santa Cruz in COVID time June 1, 2020
J. Clifford

A historical materialist cannot do without the notion of a present which is not a transition, but in which time stands still and has come to a stop.
–Walter Benjamin, “On the Concept of History” XVI. (1940)

Moratorium

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torium

Things fall apart; the center cannot hold: Mere anarchy is loosed upon the world…
W.B. Yeats, from “The Second Coming” (1920)

… Still, the profound change
has come upon them: rooted, they grip down and begin to awaken
William Carlos Williams
from “By the Road to the Contagious Hospital” (1923)

About The Author

James Clifford

James Clifford (born 1945) is an interdisciplinary scholar whose work combines perspectives from history, literature, and anthropology. He grew up in New York City and was for thirty three years Professor in the History of Consciousness Department at the University of California, Santa Cruz until his retirement in 2011. Clifford and Hayden White were the first faculty directly appointed to the graduate-only department at UC-Santa Cruz. The History of Consciousness department continues to be an intellectual center for innovative critical scholarship in the U.S. and abroad, largely due to a group of prominent faculty including Donna Haraway, Teresa de Lauretis, Victor Burgin, Angela Davis and Barbara Epstein, who were hired in the 1980s. Clifford served as department Chair from 2004-2007 and was the founding director of UCSC's Center for Cultural Studies. He has been a visiting professor in France, England and Germany and was elected to the American Academy of the Arts and Sciences in 2011. James Clifford is the author of several widely cited and translated books, including The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (1988), Routes: Travel and Translation in the Late 20th Century (1997), and Returns: Becoming Indigenous in the Twenty First Century (2013). He was co-editor (with George Marcus) of the widely influential collection Writing Culture: the Poetics and Politics of Ethnography (1986). Clifford's work has sparked controversy and critical debate in a number of disciplines, such as literature, art history and visual studies, and especially in cultural anthropology. His historical and rhetorical critiques of ethnography contributed to Anthropology's important self-critical, decolonizing period of the 1980s and early 1990s. Since then he has worked in a cultural studies framework that combines cross-cultural scholarship with the British Birmingham tradition. Since 2000 his writing has focused on processes of globalization and decolonization as they influence contemporary "indigenous" lives.

Moratorium

About The Author

James Clifford

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