The Moral Ambiguity of The Man in the High Castle
I’ve been binge-watching The Man in the High Castle. It is truly a TV show for our cynical times. There are no heroes in this show. Everyone is deeply compromised. Some are even horrible people. For those who don’t know, the show is set in a dystopic 1960s in the United States. The Allies lost World War II, and the United States is split in three. The eastern seaboard is the American Reich. The West Coast is occupied by the Japanese, and there is a dodgy, moral vacuum in the middle, the neutral zone, a lawless respite from both. The main character is Juliana Crain, who is a spoiled, horrible, selfish young woman. She betrays nearly everyone she meets, and leaves a body count behind her. Ostensibly, she’s trying to figure out what happened to her half-sister, Trudy, a Resistance fighter killed by the Japanese security forces. Her boyfriend, Frank, is the closest thing to a hero in this show, as he is drawn closer and closer to the Resistance in the wake of Juliana’s multiple betrayals. But otherwise, the show gets intimate and personal with Obergruppenfürher Joe Smith, a former American soldier, and his family, creepy as they are. Smith, not surprisingly, is a murderous, horrible human being. And he’s a Nazi. We do get a sense of honour from Japanese Trade Minister Nobosuke Tagami, whose loyalties are never...
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