Author: Bonnie Honig

  “I beg the Court to let me cut into the apple” Paul Biegler (James Stewart), Anatomy of a Murder (dir. Preminger, 1959) “What started as a competitor for the Queer Palm at the most recent Cannes Film Festival ended up winning the top prize, the Palme d’Or,” says Redy Jones in a round-up of this fall’s LGBTQ+ films. He is talking about Anatomy of a Fall (dir. Justine Triet, 2023), which anatomizes a fall taken by a male character, Samuel (Samuel Thies) who may or may not have been pushed by his wife, Sandra (Sandra Hüller), out of...

  Reviewing the film, Barbie, Leslie Jameson depicts her young daughter’s first wish for a Barbie doll as a kind of fall from grace, or is it a fall from Greece? “I worried that her desire for a Barbie would signal the end of an era: her two-year fascination with the goddesses of Greek mythology,” Jameson says. She has something of the same worry for us, as a culture. What spaces of pure, positive high cultural self-imagery will Barbie deprive us of? Writing in The New Yorker, no less, Jameson casts director Greta Gerwig as an “artist interrogating the...

  What is the appeal of the MAGA mantra “stop the steal”? The answer may have something to do with whiteness as property. “Whiteness as Property” is the title of a 1993 Harvard Law Review article, in which Cheryl Harris argues that U.S. law has constructed “’whiteness’ as an objective fact, although in reality it is an ideological proposition imposed through subordination.” For Harris, being white comes with a “set of assumptions, privileges and benefits” that make whiteness “a valuable asset” that many are keen to defend. Its suppleness is one of its strengths. “Whiteness at various times signifies...