Month: February 2019

Calling All Astronauts — Influences ep

Calling All Astronauts Influences ep Supersonic Sometimes, when you’re a big-shot music writer like me, with millions upon millions of followers on Twitter and an audience in the millions who read your reviews, a band or an artist will follow you on Twitter.  Calling All Astronauts followed me, and as I do, I followed back when musicians follow me.  I followed the link in their bio to this, their new ep.  Holy fuck! Calling All Astronauts are an electronic/post-punk/industrial/dubstep politically aware trio from London.  Fronted by producer/programmer David B., J. Browning plays guitar and Paul McCrudden plays bass.  Heavily influenced by everything from Sisters of Mercy to David Bowie to Pop Will Eat Itself, CAA sound old and new.  B.’s voice reminds me of Andrew Eldritch of Sisters of Mercy, deep, menacing, and detached.  It also helps they use a drum machine, like the Sisters did in the 80s, when Doktor Avalanche was their backing.  His voice is also, at least to me, reminiscent of the deep growl of Preoccupations’ Matt Flegel. So I went to this new ep, and then I dug into their back catalogue, and was deeply impressed.  Their originals are grand, both a call to arms in our dangerous times and a reflection of (post-)modern life as we know it. Influences is a 4-song ep that, believe it or not, is a cover of four...

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Black and white

Last week, in writing this piece on white privilege, or white hegemony, I cited David Roediger’s excellent book, The Wages of Whiteness, and in so doing, I linked to the book on Amazon.  I spent some time reading the reviews of the book, especially the 1-star ones. Most of the 1-star reviews are predictable, complaining about how to point out how whiteness was created in the United States is racist against white people, or claim (clearly without actually reading the book) that the book demonizes white people or the working classes.  It is hard not to call such responses racist at worst, or ignorant at best. But one stuck out to me, because the author took a slightly different tack.  It is worth quoting the review at length here: A small but very significant difference in terminology prevented me from getting far with this book. Roediger refers to black persons as “Black” (capitalized) and to white persons as “white” (lowercase) throughout his entire book. This rather meaningful difference in terms is utilized in every single instance that a cursory glance through the text revealed these words appearing either as nouns or adjectives. Thus the white person is consistently devalued in contrast to the black individual, solely by the word used to designate him or her. Since this racial devaluation of the white indiviudal is the premise upon all of what...

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Hegemony vs. White Privilege

Earlier this week, I wrote a piece about Jordan Peterson, who I dismissed as a professional bore.  A friend of mine shared it on his wall on Facebook and holy hell ensued.  One commentator took great exception to my point that ‘frankly, you cannot claim there is no such thing as white privilege and not be racist’ and, oh-so-wittily demanded a citation. I come at this question after spending most of my adult life working from a place of anti-racism, of insisting that we recognize our diversity and that we work to a world where none of this even matters anymore because it’s the de facto response to all things. The very term ‘white privilege is heavily loaded.  It does two things.  First, it points a finger at white people.  Second, it suggests to white people who have a difficult time due to class or gender or sexuality that they have something they generally consider themselves to lack: privilege. White people get defensive when the finger is pointed at them.  I know, I am a white person.  The general defensive response from a white person is to claim that they have nothing to do with slavery, genocide of the indigenous, etc.  And, moreover, this all happened in the past.  But racism isn’t an historical exhibit in a museum, it’s still very real and prevalent. And then there’s the question of...

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Hatred Blanks and Rusty Blinks by Adrienne Adams

Installment 41 fuses “Car Poems” and “Anti-Genre” through its collisions of the natural and urban, human and technological, lyric and anti-lyric. These texts by Adrienne Adams are disjointed, jarring, yet strangely choate. *** Hatred Blanks Hatred blanks you out and you can think of nothing but spit. The city still shines despite all our efforts to regurgitate its  venom. Wisdom is a sickness that grows inside your head when you sit down in the grey. Down, past the pavements decorating the earth in armour is a song. It has been singing your name since life was born. Even in the...

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Steve Mason — About the Light

Steve Mason About the Light Double Six Steve Mason was the frontman of legendary 90s iconoclasts, the Beta Band.  They’re probably most famous for a scene in High Fidelity, where John Cusack’s character in his record store puts on ‘Dry the Rain’ from their Three EPs, and declares he will sell 10 copies.  You know what comes next. The Beta Band split in 2004, staggering towards the end under a mountain of debt. And Mason eventually went solo.  His solo ouevre has been interesting, to say the least.  I read a review of his last album, 2016’s Meet the Humans, that argued that...

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