Month: March 2018

Fake Architecture News?

A few weeks ago, I received a curious e-mail from someone representing “a digital marketing agency currently working with a leading architecture and design firm.” They wrote to inquire if I, as the proprietor of this architecture blog, would be interested in “featuring sponsored content” on behalf of their client. Here’s how it would work: a “tailored article” would be written by someone who would first familiarize themselves with my site “to get a feel for [the] tone, style, and the type of content” I usually post. I would be sent a draft of the article and could “review, edit and reject”...

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Covering Bauhaus

In my review of Eric Bolander’s new album, The Wind, this week, I noted he was brave enough to cover Prince, and he pulls it off.  Prince should not be covered, it is nigh-on impossible to do justice to the man’s music.  Aside from Bolander, I noted Sinéad O’Connor did a brilliant job with ‘Nothing Compares 2 U.’  Certainly, she was helped by that video, as that tear travelled down her cheek.   And Patti Smith’s cover of ‘When Doves Cry‘ is note-worthy.  Of course, we’re talking about Patti Smith, she could make the phone book sexy and interesting.  But, for...

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Thank You For Your Service

Even if they haven’t seen the movie, people above a certain age will remember Jack Nicholson’s final speech in A Few Good Men: “You don’t want the truth, because deep down in places you don’t talk about at parties, you want me on that wall. You need me on that wall.” Nicholson, a colonel in the Marines, is confessing to his guilt for having had one of his men beaten to death. He confesses because he believes he was right, and he believes that, deep down in places they don’t talk about at parties, his fellow Americans know he was right. Sometimes defending the nation will require breaking the rules.  It will require getting your hands dirty. In the midst of America’s many high-energy debates about immigration and the building and manning of walls, there is a simple moral truth that has been overlooked.  It’s that truth, I think, that has made this maiden effort by Aaron Sorkin one of the most quoted speeches in Hollywood history.  It’s the same truth that gives such emotional sizzle to the formula “thank you for your service,” and does so even when those words sound, as they often do, and not just to veterans, shallow, ignorant, and insufficient.  The truth is that we depend on people far away over the horizon, doing and suffering unspeakable things so that we can live our more...

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Thinking About Corporate Activism

Conservative columnists are deeply concerned because some big corporations have distanced themselves from the NRA in the aftermath of the latest massacre by means of an AR-15. How can these joint-stock companies serve political causes, they ask, blinking innocently, as if corporations hadn’t been legal persons since 1886, with plenty of electoral weight—and as if Citizens United, the Supreme Court decision of 2010, hadn’t given them new standing as individuals with First Amendment protections? I’m here to explain their concerns and turn them to left-wing purposes. But you might as well know going in that, in these times—in my...

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Narrating Hayden White

Hayden White has died, and it feels personal. I didn’t know him—I met him just once at a conference—but he had, and has, a huge effect on my thinking about history, about method, about writing as such. Last semester I taught both the big book, Metahistory (1973), and the essay collection, The Content of the Form (1987), in a course called—wait for it—Historiography, the History of History. I matched White up against Karl Lowith, the Heidegger student who, like Erich Auerbach, wrote a great book while on the run from the Nazis.Meaning in History (1949), it’s called, and in it Lowith insists that our...

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