The Young Karl Marx
The Young Karl Marx (dir. Raoul Peck) opens in a forest. The forest is almost painfully beautiful. Peasants are gathering sticks for firewood — only dead wood from the forest floor, nothing that’s still growing. Suddenly they are attacked by police on horseback. Some are killed. We see their bodies, eyes open. The scene is historically accurate in at least two senses: landowners in the wine-growing area of Trier, where Karl Marx was born, were just then asserting exclusive ownership over common lands where tradition afforded villagers limited but important rights, like the gathering of firewood. And it was this local...
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